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He won’t agree with Elena just because she wants him to. ( UPDATE: In the comments, a reader says she interpreted that as more of a I’m not the perfect man, take me or leave me comment. To me, that statement translates to “You can’t count on me.” That’s why you go with a guy like Stefan. Now here’s my only problem with this scene: I’m thinking that’s a deal breaker. “And I don’t want to have to live up to anyone’s expectations.” “Because when people see good, they expect good,” he said. That shot looking at his face, you know the one, I definitely directed that. “Why don’t you let people see the good in you?” she asked. She said he never told her what he’d done for Rose on her final day. He put his arm behind his head and waited for her to speak as the Epicness Theme played. He didn’t know what kind of move he was making. He got up and started to slowly walk over to her, and somehow, and I’ve never done this before, I ended up biting my remote so I wouldn’t squeal like a 13-year-old. It would have cheapened it to think he was plotting. We didn’t want to feel like Damon knew what was going to happen. She closed her eyes, and his lips thought about forming a smile but didn’t, which I thought was a great call. But I guess it was night and the outdoor motel lights were just bright? Finally, Damon caught Elena, who was supposed to be sleeping in her bed, eying him. At first I thought it was early morning that Damon emerged, shirtless, to eventually halfway clothe his upper body and pour himself a drink.
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Even though Julie Plec had said some “series-wide epicness” would go down in this hour, and that the director and DP had worked hard to make the dive motel that they called Crack Alley “sexy,” I was as clueless as Jeremy as to what was about to happen. Stefan was silently jealous about Damon and Elena being in a hotel room, and I actually wrote, “WITH JEREMY, Stefan. Let’s dig in.ĭamon and Stefan finally gave each other an update. That’s what made the scene so perfect: Elena is a teen, giving herself permission to look at him for the first time.
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You could just be giddy, like you were seeing a movie you watched incessantly as a teen - cough, The Pirate Movie with Christopher Atkins - but suddenly, you were able to control the camera and call the shots. (Informal poll: Damon is somehow sexier with his shirt hanging open than when he’s totally shirtless?) It was purposely gratuitous, and therefore, you didn’t have to feel guilty.
No need to pause, that camera will linger right where you want it to.
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You want a full body scan, starting at his feet and heading north? Enjoy. (I’m admittedly fickle, supporting whoever is closest to having a steamy scene with Elena at any given moment.) But because it took… its… time.
Truly, I’m concerned that I somehow took over the body of the director while they were filming Elena ogling Damon. Honestly, how great is an episode when sex in the Lockwood cellar isn’t the highlight? As you can guess from the title of this recap (why pretend that’s not how we’ll be referring to this episode for seasons to come?), the motel is where I’m gonna start.
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